Unless one were to cheat and do quick research into the content’s reality in the fictional novel, The Museum of Innocence (Masumiyet Müzesi) by Orhan Pamuk, it would take reading 700 pages to return to the ambiguous conclusion of, maybe? Although that middle ground of uncertainty is troubling, that is the skill to which the 2006 Nobel Prize in Literature winner wrote his premier post-laureate bestseller.